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Queering the PitchFrom Routledge
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When the first edition of Queering the Pitch was published in early 1994, it was immediately hailed as a landmark and defining work in the new field of Gay Musicology. In light of the explosion of Gay Musicology since 1994, a new edition of Queering the Pitch is timely and needed. In this new work, the editors are including a landmark essay by Philip Brett on Gay Musicology, its history and scope. The essay itself has become a cause celebre, and this will be its first full appearance in print. Along with this new historical essay, the editors are contributing a new introduction that outlines the changes that have occurred over the last decade as Gay Musicology has grown.
- Sales Rank: #7415749 in Books
- Published on: 2006-08-31
- Original language: English
- Number of items: 1
- Dimensions: 9.75" h x 6.50" w x 1.00" l, 1.54 pounds
- Binding: Hardcover
- 418 pages
Review
"Whether you enjoy flamenco, salsa, tango or township tunes, Global Minstrels will extend and update your musical knowledge."--The City Paper, Nashville
"World Music has made ethnomusicologists of us all, attempting to understand where music comes from and what it means. Elijah Wald, musician, author, and former world music critic from the Boston Globe, offers some answers of his own through the voices of over 75 musicians profiled in this new collection."--Dirty Linen
"Perhaps the most significant contribution of Global Minstrels is the way it helps to rehumanize the discussion of world music by allowing the voices of the artists themselves...to be heard above the din of academic debate."--Ethnomusicology
About the Author
Liz Wood has taught Gay and Lesbian Studies at Sarah Lawrence College and as a adjunct at other colleges and universities. Gary C. Thomas is Professor of Cultural Studies and Comparative Literature at the University of Minnesota.
Most helpful customer reviews
2 of 2 people found the following review helpful.
Motives and Philosophies of World Music Musicians
By Dr. Debra Jan Bibel
What is not world music? If a Greek musician performs rap or mainstream jazz, is it world music? Elijah Wald, the author, musician, and globetrotter who interviewed these many musicians, provides us with much more than what appears in album press releases or liner notes. His insightful commentaries within each profile, in addition to the regional introductions, are excellent and give the reader a greater understanding of what is regarded as world music and how such musicians balance their traditions and roots with modern audience expectations and desires. Some 65 artists from around the planet are profiled. Even the United States is included, as Hawai'ian and Native American indigenous musicians certainly meet the criteria. Selection is, of course, a personal and pragmatic decision, but I find myself in large agreement and would have included nearly all the representatives. The quality of each section varies with the artist, owing to their own analyses and, I assume, familiarity with English, but even the popular, well-interviewed musicians offer new observations about their art and industry. This, therefore, is a fine book (think gift!) for the world music aficionado and ethnomusicologist. This grand survey will also enrich the curious listener who desires to learn about different world musics and musicians.
7 of 23 people found the following review helpful.
Homosexual scholarship for all
By Wayne Redhart (@wayneredhart on Twitter!)
This is a tremendous anthology of homosexual scholarship on classical music. Particularly persuasive is the chapter in which Schubert is 'outed' with reference to his 'Unfinished' 8th Symphony. Who could deny that the deviant use of harmony constitutes anything other than overwhelming proof of his sexual inclinations? I whole-heartedly support the author's view that Schubert's body should be exhumed and interred in a specialist gay cemetery. The well-substantiated accusation that Ives' music is 'homophobic' is quite startling and forces one to question whether his music is valid in the more tolerant society of today. This is a most objective foray into music that should be compulsory reading to all.
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