Rabu, 23 Desember 2015

^ Fee Download Philosophy Through Film, by Mary M. Litch

Fee Download Philosophy Through Film, by Mary M. Litch

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Philosophy Through Film, by Mary M. Litch

Philosophy Through Film, by Mary M. Litch



Philosophy Through Film, by Mary M. Litch

Fee Download Philosophy Through Film, by Mary M. Litch

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Philosophy Through Film, by Mary M. Litch

Some of the world’s best-loved films can be used as springboards for examining enduring philosophical questions. Philosophy Through Film provides guidance in how to watch films with an eye for their philosophical content, helping students become familiar with key topics in all of the major areas in Western philosophy, and helping them master the techniques of philosophical argumentation.

The perfect size and scope for a first course in philosophy, Philosophy Through Film assumes no prior knowledge of philosophy. It is an excellent teaching resource and learning tool, introducing students to key topics and figures in philosophy through thematic chapters, each of which is linked to one or more "focus films" that illustrate a philosophical problem or topic.

Revised and expanded, the Second Edition features a new chapter on political philosophy, an introductory chapter explaining how to watch films philosophically, an appendix with primary readings, and the addition of five new focus films. Films examined in depth include:

  • The Matrix
  • Vanilla Sky
  • Hilary and Jackie
  • Memento
  • I, Robot
  • Minority Report
  • Crimes and Misdemeanors
  • Antz
  • Equilibrium
  • The Seventh Seal
  • The Rapture
  • Leaving Las Vegas

  • Sales Rank: #354994 in Books
  • Published on: 2010-01-27
  • Released on: 2010-02-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .87" w x 6.00" l, 1.10 pounds
  • Binding: Paperback
  • 384 pages

Review

'How does one make philosophy exciting for general readers and students in introductory philosophy classes?  Mary Litch has found the recipe.  Combine the dramatic power of contemporary narrative films with incisive discussions of central philosophical issues, and the result is a compelling book for teaching and learning about philosophy. Each chapter clearly and engagingly introduces a key philosophical topic, then expertly demonstrates how a recent film illustrates a philosophical position, or else, through its dramatic conflicts, clarifies opposing alternatives.  New to this edition are seventeen excerpts from primary sources, from Plato to Hume to Camus, making this book an excellent choice for introductory philosophy classes.' – Carl Plantinga, Calvin College, USA

'Mary Litch's Philosophy Through Film was one of the first and remains one of the most useful textbooks for introducing students to philosophical concepts by way of film. Litch shows that popular films can be philosophical, in the sense that they raise philosophical concerns and illustrate in powerful ways the importance of these concerns. In addition to discussing several new films, the newest edition includes a selection of important classic readings in philosophy as complements to the film-based discussions of central topics, and offers an insightful and straightforward introduction to some of the many philosophical issues involved in considering film for its philosophical content.' – Nathan Andersen, Eckerd College, USA

About the Author

Mary M. Litch has taught philosophy at Yale University, the University of Alabama at Birmingham and the University of Massachusetts at Amherst. She is currently Director of Academic Technology and Digital Media at Chapman University, where she also teaches philosophy.

Most helpful customer reviews

19 of 20 people found the following review helpful.
Excellent introduction to philosophy through film
By Nate
In the last decade or so a number of philosophers have become interested in film, both as a way of illustrating difficult concepts in philosophy and as a medium with a rich potential for the development of philosophical thought. Mary Litch's "Philosophy through Film" was one of the first and remains one of the best and most useful textbooks for introducing students to philosophical concepts by way of film, and uses ideas drawn from philosophy to help analyze films that raise important questions about the nature of human identity, the character of knowledge, and ethical and existential questions about how we live. The format is especially helpful. Each chapter introduces a central philosophical theme and raises several of the issues that surround this theme, and then illustrates the theme with a brief account of two or three contemporary and easily accessible films that raise issues related to this theme. The final part of the chapter presumes that students will have gone on to view the film for the first time, or once again with the specific thematic issues of the chapter in mind. She then gives a detailed summary of each film to suggest how the film raises and resolves such issues and examines what is at stake in the way the film seems to resolve this issue. So, for example, a chapter on personal identity -- the question what makes a person who he or she is -- is complemented by analyses of the films Being John Malkovich and Memento. A chapter on epistemology -- the question how we know what we know and whether we can have knowledge at all -- is complemented by analyses of "Total Recall" and "The Matrix." Overall, it is a fine book that is well written and clear -- and while I may disagree with some of her emphases and wish she had discussed certain subjects more or less, the overall presentation is compelling and interesting. Something she doesn't do, but that other philosophers have begun to do in a number of books, is raise questions about the nature of film itself and whether and to what extent it is a medium uniquely suited for the expression or exploration of philosophical ideas. Even more, whether film itself might be said to be a medium for philosophy and not merely a useful illustration of philosophical concepts. I use this as a text in my course entitled Film and Philosophy to introduce students to the methods of philosophy, and especially to make relevant some of the seemingly abstract debates that take place within ethics, epistemology and metaphysics. I supplement this with discussions and readings in aesthetics to raise the question what is distinctive to film as a medium, and to raise questions that go beyond film as an illustration of philosophy and in the direction of the "philosophy of film." I'd love to see Mary Litch come out with a new edition of this excellent text, and expect to keep using it for some time.

UPDATE: a new edition of Philosophy through Film has been published, including discussions of more films and additional topics, as well as a brief but valuable introduction to issues surrounding the "philosophy of film."

5 of 5 people found the following review helpful.
A very informative book
By clover
I bought this book for my philosophy class at college. I had neither interest nor knowledge about philosophy prior to this class. But the book made it easy for me to enter philosophical world, it was not that boring as I thought. Overall a good book for beginner of philosophy, very throughly explained and informative.

0 of 0 people found the following review helpful.
Great summary analysis of various movies and concerts
By Tom Napp
I don't know much about philosophy but I could tell that Mary Litch, who wrote this book, knew exactly what she was talking about. Great summary analysis of various movies and concerts, good for intro students like me.
However, if you are looking for a very in depth analysis of certain concepts, you may not find them here.

See all 9 customer reviews...

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