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The State of Art Criticism (The Art Seminar)From Routledge
Download PDF The State of Art Criticism (The Art Seminar)From Routledge
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Art criticism is spurned by universities, but widely produced and read. It is seldom theorized and its history has hardly been investigated. The State of Art Criticism presents an international conversation among art historians and critics that considers the relation between criticism and art history and poses the question of whether criticism may become a university subject.
Contributors include Dave Hickey, James Panero, Stephen Melville, Lynne Cook, Michael Newman, Whitney Davis, Irit Rogoff, Guy Brett and Boris Groys.
- Sales Rank: #1363641 in Books
- Published on: 2007-12-19
- Released on: 2008-03-10
- Original language: English
- Number of items: 1
- Dimensions: 9.02" h x .96" w x 5.98" l, 1.05 pounds
- Binding: Paperback
- 416 pages
About the Author
James Elkins is E.C. Chadbourne Chair in the Department of Art History, Theory, and Criticism at the School of the Art Institute of Chicago. His many books include Pictures and Tears, How to Use Your Eyes, and What Painting Is, all published by Routledge.
Michael Newman teaches in the Department of Art History, Theory, and Criticism at the School of the Art Institute of Chicago, and is Professor of Art Writing at Goldsmiths College in the University of London. His publications include the books Richard Prince: Untitled (couple) and Jeff Wall, and he is co-editor with Jon Bird of Rewriting Conceptual Art.
Most helpful customer reviews
4 of 5 people found the following review helpful.
A dense but critical discussion about criticism
By Mary Louise Schumacher
I'll confess, the essays in "The State of Art Criticism" enraged me, enthralled me and put a knot in my stomach, in turns. It's an important discussion about critical theory that falls unnecessarily under the weight of its own language and ideas at times. The second paragraph of the preface is filled with references to philosophers, historians and critics mentioned by last name only. This might be fine for Freud or even Lacan and Derrida, but Klossowski, Lecercle? This speaks volumes about where this book is coming from and who is -- and is not -- included in the dialogue. This is particularly poignant when the book is essentially about the increasing ubiquity of criticism and the utter lack of readership for it. The best of the book was Elkins' own essay, which has been around in other forms for some years now. Michael Schreyach's essay used precise language like a crutch and was at times maddeningly convoluted and unclear. Dave Hickey's thoughts on October were precious, however. In the end, it's worth plowing through for those truly interested in and close to the subject at hand.
By Mary Louise Schumacher, art critic, Milwaukee Journal Sentinel: [...]
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