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** Download PDF Realism, by Damian Grant

Download PDF Realism, by Damian Grant

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Realism, by Damian Grant

Realism, by Damian Grant



Realism, by Damian Grant

Download PDF Realism, by Damian Grant

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Realism, by Damian Grant

First published in 1970, this book provides an introduction to literary realism. After considering what realism is and its philosophical roots, it goes on to examine the emergence of the idea of realism in nineteenth-century France and its gradual spread across the wider republic of letters.

This work will be of interest to those studying nineteenth-century European literature.

  • Sales Rank: #4559869 in Books
  • Published on: 1979-06
  • Original language: English
  • Number of items: 1
  • Binding: Paperback
  • 90 pages

Most helpful customer reviews

2 of 2 people found the following review helpful.
A much- over used concept
By Shalom Freedman
At the opening of this book Grant gives a long list of different kinds of realism beginning with critical realism, durational realism, dynamic realism, external realism.... and going on to ... satiric realism, socialist realism, subjective realism, super- subjective realism, visionary realism. He indicates how complex and over- used the concept is.

And he uses for an epigram a phrase of Wallace Stevens,' Realism is the corruption of reality', to indicate just how confusing the situation is in making a definition of what 'realism' means as a literary concept.

In this work he traces the origin of the term in philosophical discourse, indicating that by the time it went into 'general circulation' in the nineteenth century it was associated with materialism, but that its origin has it connected with the scholastic doctrine that 'universals have a real existence independent of the objects in which they are found'.

He then goes on to trace historically the meaning the term has for various literary creators and critics.including Dr. Johnson Zola, and Joyce.

In his conclusion he cites Harry Levin as saying the 'exploration of realism is ultimately subsumed under the larger question of the relationship between life and art'.

He considers too the various virtues of 'correspondence and coherence theories ' of truth in regard to realism.

Thus he provides , if not an overall theory or definition of the concept, illuminating insights as to how it has been used and perhaps over-used historically.

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